The record of an unnatural place, Botany Bay, (KAMAY) the confabulations of the digital image are further extended by the digital image in movement, encountered in sequence form as a film or video movie. The multi-framed moving image document of the contemporary Kamay as recorded during 2019, is a representation of an unnatural place a man-made place, where the natural world is partially retained as a memorial to the incursion of strangers in1770 onto aboriginal lands of the Yuin nation; In the film commissioned for the exhibition Paradise Lost*, Kamay is shown in a fragmented but regimented form, the screen area divided by 4 separate images, avoiding the convention of a specific sequence order of shots; a narrative is not imposed but an opportunity presented to the viewer to select which image in movement to inspect and in what order ; thus the narrative is self-made by each viewer, within the curatorial framework and framing, duration colour and sound, structured by the film makers.

• Paradise Lost, commissioned by Kew Gardens Gallery, London, UK